It’s hard to describe how I feel sometimes. About a year has passed since I last posted a blog, since I left my job teaching preschool to work in an office, since I turned 27. I think of writing often. I think about the writing I did as a child. I was always telling stories about historical events that fascinated me, placing myself as a character within the midst of chaos. As a child I survived the sinking of the Titanic, trudged through the trenches of war, and even made it through a terrible, horrible, no-good, very bad day. That part of me started early: the curiosity of someone else’s shoes. How could I understand if I wasn’t there? The only way to try was to write it.
I think about the writing I did in high school. It was morose and vague. There was poetry about dead birds, rifles, and a boy that was never good for me, because what else was I to write about as a teenage girl? And then there were the snips and snaps that started to happen; the characters that I knew too well becoming the center of each new piece. An idea that perhaps, I was not just an avid reader but also someone with a voice, whatever that voice was.
I think about the writing I did in college. An 8-page analysis of one line in Heart of Darkness that was probably entirely wrong. Stories littered with my past and present. An unfulfilled need to move, move, move. That was always clear.
I always moved. From town to town; from house to house; from person to person; from thing to thing. My roots have never quite settled in one place, yet once I’ve left that place they seem to stretch back as if grasping for mossy rocks or solid ground to hold onto them. A search for something new was always at the forefront of what I wrote, yet my words were set deeply in nostalgia.
I think about how I don’t write now. I don’t write myself out of danger, or out of love, or out of the murky past. I don’t make up names and plots to faces I already know. I don’t even write the images that flitter through my brain.
You know what I write about now? I write about apartments, and how qualified I am for a job, and my five year goals. I write that we should catch up and that things are good and miss you sometimes.
I miss me.
There’s an image I still see some days. It’s of me sitting in a desk amongst classmates, my high school English teacher with my paper in his hands. He has just finished reading and it is quiet, my cheeks are flushed and I’m terrified. And then he nods, and someone else smiles, and my paper is back on my desk and someone else stands in front of the class. My cheeks cool off and I can see clearly again, and I feel good.
I miss me.
Or maybe it’s just that I miss what I used to believe me to be. I was a girl who wrote and wrote well. I was a girl with a voice and a passion for telling stories. I wanted to tell my stories. I wanted to live my stories, like Alice falling into that rabbit hole and landing in a foreign world. I still want to live stories, but I don’t tell them anymore. Not like that.
Recently my boyfriend told me that for someone as scared as I was to share my art, myself, I sure could be judgmental about other art. I suppose it goes hand in hand. Those who can’t, teach. Those who don’t, judge. It’s a viscous, jealous cycle and I don’t know where it stops.
When I started writing tonight, it was all about tips on how to have a good day back in the office after a 3-day weekend. Your typical listicle of overly obvious things you could do to have a good day. And I was bored and sad. Who am I to tell anyone how to enjoy being at work when I just had a tediously miserable day? Why would I write something so uninteresting? I’ve been writing what I think I’m supposed to in a blog. I’m supposed to be witty and snarky and offer valuable insight to your life. But I don’t have it in me today. Today, I just want to write without trying to impress anyone. Younger me didn’t want to give you advice, she just wanted to write something a little sad, and a little sweet. Because that’s me. It’s a big part of me. And it’s the me that I miss.
So here I am, sitting on my couch, sipping a G&T and daydreaming about summer afternoons laying in the park grass in Lancaster and you were there, and you were there, and I was there. We couldn’t read this post online and it probably would have been posted to my Easyjournal which ceases to exist anymore. Thoughts my teenage self put out into the world are now lost in an endless realm of coding, bad URLs and time. But here I’ll put them back out there. I wish to be more than I have been, and I’m terrified but I feel good.
What It Feels Like (Edition)*: We are the Age of Consumption and the Age without Thought:
If I say it is, therefore it is. In college I wrote a lot of poetry and creative nonfiction about how much I smoked, how little I valued marriage, how things fall apart, and how artists portrayed isolation in urban environments. Those were my themes. In college I smoked a lot, visited a lot of art openings and music gigs, babysat a couple munchkins on campus, and was always holding a cup of coffee. One of my trusted professors--who once called two of my other favorite professors into her office to brainstorm about my writing, who would whip up a fresh French press at my arrival--called me “a true artist” in the way I lived my life. To another professor that I sometimes had coffee with, not to me, obviously. A compliment to the extreme, I thought, a person that knows me and really gets me. Cogito ergo sum. Only: She think I’m an artist, therefore I am.
I used to believe it was a way of life. Art. Living artfully. Observing closely, pulling away from the mundane the most extravagant of details and backstories. Dabbling in paint, or charcoal, or clay, or the theatre, or guitar, or sewing. She who does is! I could justify my quiet and my solitude by living in this idea that I was built like those who inspired me. But a degree, a job, families, and laziness interrupt dreams. Then again, dreams are cut short by overreaching, insufficient talent, and our goddamn heads. If we don’t do, then we aren’t.
But if an artist posts a new piece to Facebook and gets zero likes, does the art make a sound (or a difference, or a meaning, or whatever)? Picasso, Vonnegut, Oscar Wilde and all sorts of infamous artists are quoted defending the importance and necessity of art to our souls. Quotations once absorbed into my character have become questions of their own. We recognize art for its beauty; we talk about what it portrays. Then we go and call it dark; we say art is emotive, that it must make us feel something to be art. Sometimes we simply make art an idea. It just is, even if it isn’t, we say. We’re entertained by the new and unclear. We’re bored by things of convention, even when done beautifully. Often, it seems, we separate art into two categories: what is controversial and what is appealing to the eye, yet we’d be scorned if we were to classify people into the same two categories: those that are pretty and those that cause trouble. Because, as everyone knows, even pretty things can stir up a storm.
In a world where half of you reading this probably have your own blog, where at least 75% of you have a Facebook or Twitter or Instagram to post your own statuses and computer-filtered photographs, and all of you have the ability of creating a blog or website or social media page to show off the work you could be doing, everyone has the ability to portray themselves as an artist. I’m having a hard time justifying, to myself, that I am a writer just because I post on this blog every so often. In fact, I’m having a hard time justifying that I am anything most days. In an ever expanding digital world we have the ability to consume whatever we want but we keep on wanting to be everything without doing anything.
heavy heeled when walking; heavy handed when pouring a drink